The Old South Church in Boston

Magnify

A Sermon by Rev. Quinn G. Caldwell

December 24, 2006

Luke 1:39-56

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Will you pray with me?  Lord, may the words of my lips and the meditations of all our hearts be acceptable in your sight, our rock and our redeemer.  Amen.

So one day, an angel came to a young, unwed girl, there in her parents’ home.  The angel came to the girl, and told her that if she watned to, she could change everything.  The angel called her Favored One, and told her that if she chose, she could bear a child, a son, and that that son would be the saving of the world.  And the girl?  She said, “Yes.” 

She is a remarkable figure, this girl.  I mean, she raised God, right?  You parents out there know that it’s hard enough to raise a regular kid, and she raised God, through diapers and terrible twos and puberty and the whole thing.  She was the only person—the only person!—to be present at both his birth and his death.  Later tradition would come to call her the Queen of Heaven.

Next to Jesus himself, there’s probably no character in the Bible that has imspired as much art as has Mary.  I’m willing to bet that even the mention of her name causes somebody’s painting of her to spring to your mind.  These images are powerful conveyors of the meaning and content of the stories they represent.  So I’d like us to begin today by spending some time thinking about them.  I’d like to invite you to turn to a person, or people, sitting near you, and take just a few moments to describe your favorite image of Mary.   What painting comes to your mind when you think of her? 

(30-seconds of conversation, then from the floor)

OK, so when you think of Mary, what do you see?  Let’s start with how old she is. 

What’s she wearing?

And what’s she doing? 

Where’s she looking?  Is she looking right at you?  No, she’s looking up in rapture, isn’t she?  Or looking down, averting her eyes.

And what would someone looking at her say about her personality? 

(heading back into pulpit)  So, in our images, Mary is young, she’s wearing blue, she’s holding a baby or looking at an angel surprised.  She almost never looks into your eyes.  She’s meek, mild, obedient, loving.  Gorgeous images, aren’t they?  I have to confess, though, that often while looking at these gorgeous images of Mary, I find myself wondering whether any of the artists had ever actually read the Bible.

Here’s what I mean.  Close your eyes.  Hold in your mind your image of Mary, and listen to these words of hers again: 

My soul magnifies the Lord…surely from now on all generations will call me blessed.

God has shown strength with his arm; he has scattered the proud in the thoughts of their hearts.

She has brought down the powerful from their thrones, and lifted up the lowly.

He has filled the hungry with good things, and sent the rich away empty.
 

You can open your eyes again.  Does the Mary in your mind say things like that?  Predict political turmoil and radical redistribution of wealth?  Sing about God taking the food right out of the hands of the wealthy (and by the way, by most of the world’s standards, the wealthy is us), and giving it to the hungry?  Does your Mary say things like that?

I don’t know who decided that Mary the mother of Jesus was meek and mild, but I want to tell you that these are not the words of a mild person.  These are the words of a woman with hope, a woman that knows that God is with her and about to enter into the world to change everything, to turn everything upside down, to make mountains into valleys, wolves to lie down with lambs, make rough places plain, to make a whole new creation of us.  She says them in the past tense, but they’re her prediction for the future and friends, they are not the words of a meek person. 

These are the words of a revolutionary.

And they are dangerous words, a dangerous song here in the mouth of a pregnant and powerful teenager, and while this fact may sometimes seem to have been missed by the artists out there, not everyone has missed it.  In the 1980’s, a statue of her and her baby was visited by as many as five million pilgrims a year, each remembering the words of her song and coming to ask her to help them in resisting the oppressive communist regime there.  Her words are so subversive that, also in the 1980’s, the government of Guatemala banned Mary’s song from being read in public, fearful that it might incite the poor and disenfranchised to revolt.[1] 

But of course those government guys missed the point, as those guys usually do.  God’s revolution is about upsetting the status quo, but it isn’t one of guerrillas and guns.  It is one of forgiveness and vulnerability and just distribution of wealth, of hope born with each new birth, far more peaceful and far more powerful than any violent way of doing business.  When God comes, it is not business as usual, where the stronger attack and enslave the weaker, where the poor keep getting poorer and the rich keep getting everything.  It is the revolution of the heart against business as usual,.  It is the belief that submitting to God makes you not meek, but powerful beyond measure. [pause]

This song of Mary’s is called the Magnificat, for the first line of the song in its Latin translation: Magnificat anima mea Dominum.  My soul magnifies the Lord. 

You see, Mary knew that it takes a soul, a human soul, to magnify God, to make God and God’s love great enough, big enough for the world to see, and hear, and touch, and be transformed by.  Which, of course, is the whole point of Christmas.  Christmas is the revolution waiting to be magnified in every human soul, the turning upside down of the world so that it looks not like a place created by humans, but by God, where justice, equality, and unabused vulnerability rule.  It is a revolution in which you have a part to play, a part that God is seeking to have you birth into the world right now, and all the revolution needs to begin is for you to join Mary and say, “Yes.”

What is God calling you to birth into the world this Christmas?  You see, God may have chosen Mary to bear Jesus to the world, but Mary’s story, and her song, remind us that God chooses each of us, me, and you, and you, and you, to bear God to the world as well.  The Magnificat isn’t supposed to be just Mary’s song; it’s supposed to be our song.  

So, I’d like to offer a different picture of Mary for you this Christmas Eve morning.  Picture a young girl, not in blue and gold robes but plain, everyday clothes.  Picture an uplifted chin and a joyful, hopeful, knowing smile.  Picture clear, bright, snapping eyes staring right into you, inexorable and powerful.  Picture two hands resting lovingly on a very round, very pregnant belly.  Picture her singing.

And picture it all framed not in a painting, but in a mirror. 

Magnificat anima mea Dominum.  Come, God, come.  Amen.


[1] Norris, Kathleen.  Amazing Grace: A Vocabulary of Faith.  New York: Riverhead Books, 1998.


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